Abstract

The question of the oeuvre -- The concept of Machiavellianism -- Reading The prince. First signs -- The logic of force -- The social abyss and attachment to power -- Good and evil, the stable and the unstable, the real and the imaginary -- The present and the possible -- Reading The discourses. From The prince to The discourses -- Rome and the "historical" society -- Class difference -- War, and the difference of times -- Authority and the political subject -- The oeuvre, ideology, and interpretation.