Abstract

This chapter casts into sharp relief Theodor W. Adorno's concept of history as a form of historical immanence of language. Here, as, to one degree or another throughout Adorno's corpus, the “untruth” of the “whole” can only be eluded through constant exertions to wrestle the latter into virtually every lexical predication. That Adorno's thinking at any given point in its development and formal presentation forms a coherent, exquisitely reflective, and mediated whole, supple and adaptive, is in no way contradicted by this. However, the movement of thought through language is at the same time an inward, condensing movement of language within itself, a movement toward what is, for the logical organization of Adornean critical prose, a fusion of dialectics and style at the level of such language's smallest moving part: the sentence or short, aphoristic sequence of sentences.