Spontaneous preferences and core tastes: embodied musical personality and dynamics of interaction in a pedagogical method of improvisation

Frontiers in Psychology 6 (2015)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,386

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

Characteristics of spontaneous musical imagery.Imants Baruss & M. Wammes - 2009 - Journal of Consciousness Studies 16 (1):37-61.
Skipping the tracks. The experience of musical improvisation online.Roberto Zanetti - 2016 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 9 (1):71-86.

Analytics

Added to PP
2016-06-30

Downloads
21 (#720,615)

6 months
3 (#1,002,413)

Historical graph of downloads
How can I increase my downloads?

References found in this work

Participatory sense-making: An enactive approach to social cognition.Hanne De Jaegher & Ezequiel Di Paolo - 2007 - Phenomenology and the Cognitive Sciences 6 (4):485-507.
The specious present: A neurophenomenology of time consciousness.Francisco Varela - 1999 - In Jean Petitot, Francisco J. Varela, Bernard Pachoud & Jean-Michel Roy (eds.), Naturalizing Phenomenology: Issues in Contemporary Phenomenology and Cognitive Science. Stanford University Press. pp. 266--314.
Doing things with music.Joel W. Krueger - 2011 - Phenomenology and the Cognitive Sciences 10 (1):1-22.

View all 18 references / Add more references