Abstract

The history of Western philosophy is predominantly a history of written texts, but philosophers have lived in that history and looked back at it as if a dependence on such unusual and complex artifacts had nothing to do with the work of philosophy itself. The assumption behind this notion of a literary “museum without walls” is that philosophical meaning is self-generating and transparent—that both the medium and form of philosophical texts as they appear to the reader are accidental causes, with no significant consequences for philosophical meaning itself.