Abstract

The purpose of this article is first to enrich the exposition on the contribution of the magistri artium in Claude Panaccio’s Le Discours intérieur by an in-depth scrutiny of a quotation from the Latin al-Fārābī ending the presentation of logic in the Divisio scientiarum (ca. 1250) of the Parisian Arts Master Arnoul of Provence (Arnulfus Provincialis). Once accomplished this revision using the various Latin versions or adaptations of the Farabian Enumeration of the sciences (Iḥṣāʾ al-ʿulūm) by Gerard of Cremona and Gundissalinus, it is clear that, despite a certain duality in its manuscript tradition, the relevant passage in Arnulfus Provincialis’s Divisio scientiarum does not merely distinguish inner logos and external logos, but also considers, like its source, a third logos, and that in a way susceptible to refine the characterization of al-Fārābī’s triadic logos as Le Discours intérieur reports this triade at the occasion of its judicious comparison with a parallel doctrine in John Damascene (Ekdosis akribès tès orthodoxou pisteôs alias De fide orthodoxa) interpreted differently by Thomas Aquinas following Albert the Great.