Mathematics, Method and Metaphysics: Essays Towards a Genealogy of Modern Thought
Dissertation, The Pennsylvania State University (
1984)
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Abstract
The generative and governing "idea" of radical modernity is spawned by the technique of mathematical construction deployed and interpreted by the major early-modern thinkers and their legatees. ;Chapter I is a survey of this legacy as it appears in Vico, Kant, Fichte, Marx and Nietzsche and in the post-Nietzschean inheritance of contemporary philosophy, hyperbolic in the case of Derrida et al., elliptical, in the case of Carnap and Goodman. ;In Chapter II I try to show how the pre-modern mathematical tradition, represented by Euclid, aimed at keeping the enticements of technical facility in check by means of didactic phronesis and how the post-Kantian interpretation of "existence" in Euclid as constructibility betrays his usage and self-understanding. I suggest that his focus in the postulates and elsewhere is on the undistorted iterability of graphic evocations of the items already intelligible thanks to the definitions or to the pre-understanding shared by the teacher and student. ;In Chapter III, devoted to Descartes the principal claims of modern constructivism are brought to sight. After examining Descartes' fabulous autobiography and its emphasis on self-origination, I turn to the style, contents and under-pinnings of the Geometry in an effort to extract from that text what he once referred to as "the metaphysics of geometry." The latter yields the conditions of successful problem-solving, i.e., dimensional homogeneity and kinematic continuity. These conditions, in turn, find their justification in Descartes' theses in the Rules concerning order, measure and the uniformity of "mental" activity. In the final section I apply the lessons learned from the Geometry and the Rules to one critical issue in the later Meditations, the transition from essence to existence. Descartes' "solution" generates a sequence of perplexities with Hobbes, Leibniz, Kant and other radical moderns continue to wrestle.