Abstract

It is rare these days to read a book as ambitious as Irving Goh's The Reject. Taking up the question that Jean-Luc Nancy posed in 1988—"Who comes after the subject?"—Goh's study proposes a theory of "the reject" as a crucial figure through which to reconceptualize modern critical and political theory's reliance on the centrality of the subject. Engaging in a reading that charts this figure through a range of contemporary French philosophers, the study simultaneously attempts to articulate how "the reject" might help to posit, as Goh puts it, "another ethics, another 'religion without religion,' and another politics, all 'without the subject'". Not content merely to articulate a coherent theory of "the reject,"...