Abstract

Franz Brentano was not a systematic writer, but he was very much a systematic thinker. Through his manuscripts, lecture notes, letters, dictations, and occasional published writings, one can discern a systematic, unified approach to the true, the good, and the beautiful. My goal here is to articulate explicitly this approach, and the philosophical program it reflects. The exercise requires going over big stretches of terrain with some efficiency; I will go just as deep into Brentano’s approaches to the true, the good, and the beautiful as is required to make explicit their structural unity