Abstract

At the beginning of the twentieth century, Russian art was in the vanguard of the world artistic process. The decades which had gone into renewing painting in France were compressed into ten to fifteen years in Russia. The 1910s unfolded under the sign of the growing influence of Cubism, which changed the very face of the fine arts. Yet by 1913, a turning point could be seen. New plastic problems arose, opening for Russian painters a way into the unknown. The scales began to tip in the direction of the Russian avant-garde.