Biology and Philosophy 31 (3):421-434 (2016)

Authors
Anton Killin
Australian National University
Abstract
In A Million Years of Music, Gary Tomlinson develops an extensive evolutionary narrative that emphasises several important components of human musicality and proposes a theory of the coalescence of these components. In this essay I tie some of Tomlinson’s ideas to five constraints on theories of music’s evolution. This provides the framework for organising my reconstruction of his model. Thereafter I focus on Tomlinson’s description of ‘entraining’ Acheulean toolmakers and offer several criticisms. I close with some tentative proposals for further theorising.
Keywords Evolution of music  Musicality  Entrainment  Tool production  Evolution of cognition
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DOI 10.1007/s10539-016-9519-1
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References found in this work BETA

Thinking, Fast and Slow.Daniel Kahneman - 2011 - New York: New York: Farrar, Straus and Giroux.
Darwin's Dangerous Idea: Evolution and the Meanings of Life.David L. Hull - 1997 - British Journal for the Philosophy of Science 48 (3):435-438.
Darwin's Dangerous Idea.Daniel C. Dennett - 1996 - Behavior and Philosophy 24 (2):169-174.

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