The Recursive Syntax and Prosody of Tonal Music

Abstract

Language does not make use of octave-based pitch-collections (scales); music lacks truth-conditional semantics; everyone can talk but not everyone can carry a tune; etc. (Jackendoff 2009).

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,122

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

  • Only published works are available at libraries.

Similar books and articles

Hanslick's third thesis.Robert J. Yanal - 2006 - British Journal of Aesthetics 46 (3):259-266.
The language of music.Deryck Cooke - 1959 - New York: Oxford University Press.
Music & meaning.Jenefer Robinson (ed.) - 1997 - Ithaca [N.Y.]: Cornell University Press.
What is musical intuition? Tonal theory as cognitive science.Mark DeBellis - 1999 - Philosophical Psychology 12 (4):471 – 501.
Moribund music: can classical music be saved?Carolyn Beckingham - 2009 - Portland: Sussex Academic Press.
Music.Nicholas Cook - 2010 - New York, NY: Sterling.
Music and the aural arts.Andy Hamilton - 2007 - British Journal of Aesthetics 47 (1):46-63.

Analytics

Added to PP
2010-12-22

Downloads
50 (#293,949)

6 months
1 (#1,241,711)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references