Abstract

This dissertation explores the conception and structure of the feminine in the work of Emmanuel Levinas, with an eye toward inquiring into both the continuity of Levinas's project and the political implication for the feminine that follow from his analysis. Levinas initially conceives the feminine as a transcendental structure that functions as the condition for the possibility of ethics by inaugurating the ethical relation via the birth of a son, and sustains the ethical relation by providing the intimacy of the home, which is to be disrupted by the call of the other. In his later work, Levinas names the ethical relation substitution, and transforms the feminine such that it not only participates directly in the ethical relation, but, in the metaphor of maternity, it is the example of substitution par excellence. However, the history of feminist theory shows us that the maternal is not necessarily the best image within which to circumscribe the feminine, even if the image is intended positively. But to undermine Levinas's conception of the feminine is, potentially, to undermine the larger project. By revealing and then utilizing the Judaic roots at work in Levinas's philosophical thought, this dissertation offers a reading of Levinas's conception of maternity that helps to explain why Levinas would have picked such an image to convey his insight. That is, I offer a midrash1 on Levinas's work. Finally, this dissertation argues, that Levinas's work, with regard to the feminine, is not discontinuous. Rather, the dynamic movement of the feminine reveals an interesting developmental structure, whose work in Levinas's project is indispensable. ;1My intention is to employ a midrashic style of reading a text, though not necessarily line by line, in order to offer an interpretation of the images Levinas uses in his work