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Deep Marxism: Richard Wright’s The Outsider and the Making of a Postwar Aesthetic
Mediations 28 (2) (2015)
Abstract
The 2014 recipient of the Sprinker Prize, Konstantina Karageorgos’s essay on The Outsider argues that Richard Wright used the space of the novel to present readers with "the limits of orthodox Marxism and Idealist ontology.”My notes
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