Abstract

The “modest realism” described by Joe Frank Jones, III offers a sound methodological model for developing both self-understanding and philosophical theories. Claire Chafee’s play Why We Have a Body illustrates the pitfalls of living both a thoroughgoing realism and a thoroughgoing idealism and argues for the conception of a life story as a project in which discovery and invention play side by side.Stanley Cavell argues that the shape of a philosophy mirrors the shape of a philosopher’s life. Thereby he suggests that Ludwig Wittgenstein saw his own revolutionary philosophical work as a species of modest realism, i. e., continuing to turn in fruitful directions,rather than as a species of anti-idealism, i. e., rejecting an entire tradition of philosophical theorizing.