Dover Publications (1926)

In this famous work by a pioneer in the movement to free art from the bonds of tradition—a work long considered essential to understanding the evolution of 20th-century art—Kandinsky explores the role of the line, point and other key elements of non-objective painting. 127 illustrations.
Keywords Art Philosophy  Composition (Art
Categories (categorize this paper)
Reprint years 1926, 1947, 1979
Buy this book $3.01 used   $7.36 new   $9.99 from Amazon    Amazon page
Call number N70.K313 1979
ISBN(s) 0486238083   9780486238081   1614275467   3037786620
Edit this record
Mark as duplicate
Export citation
Find it on Scholar
Request removal from index
Revision history

Download options

PhilArchive copy

Upload a copy of this paper     Check publisher's policy     Papers currently archived: 71,410
External links

Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
Through your library

References found in this work BETA

No references found.

Add more references

Citations of this work BETA

Is Geometry Analytic?David Mwakima - 2017 - Dianoia 1 (4):66 - 78.

View all 36 citations / Add more citations

Similar books and articles

Specular Phenomenology: Art and Art Criticism.Red Clementina - 2011 - Collingwood and British Idealism Studies 17 (2):248-260.
Crossing Boundaries.Ben Tilghman - 2006 - British Journal of Aesthetics 46 (2):178-191.
Ideas About Art.Kathleen Kadon Desmond - 2011 - Wiley-Blackwell.
The Truth in Painting.Jacques Derrida - 1987 - University of Chicago Press.
Painting in the Instant.Gordon Onslow-Ford - 1964 - London: Thames & Hudson.


Added to PP index

Total views
26 ( #441,524 of 2,519,855 )

Recent downloads (6 months)
1 ( #406,012 of 2,519,855 )

How can I increase my downloads?


My notes