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Point and line to plane
New York: Dover Publications. Edited by Hilla Rebay (1926)
Abstract
In this famous work by a pioneer in the movement to free art from the bonds of tradition—a work long considered essential to understanding the evolution of 20th-century art—Kandinsky explores the role of the line, point and other key elements of non-objective painting. 127 illustrations.
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Specular Phenomenology: Art and Art Criticism.Red Clementina - 2011 - Collingwood and British Idealism Studies 17 (2):248-260.
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2009-01-28
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Citations of this work
On the demystification of mental imagery.Stephen M. Kosslyn, Steven Pinker, Sophie Schwartz & G. Smith - 1979 - Behavioral and Brain Sciences 2 (4):535-81.
The how, what, and why of mental imagery.Stephen M. Kossyln, Steven Pinker, George E. Smith & Steven P. Shwartz - 1979 - Behavioral and Brain Sciences 2 (4):570-581.
Merging philosophical traditions for a new way to research music: On the ekphrastic description of musical experience.Andrzej Krawiec - 2024 - British Journal of Aesthetics 64 (1):107-125.
Cross-modal associations between materic painting and classical Spanish music.Liliana Albertazzi, Luisa Canal & Rocco Micciolo - 2015 - Frontiers in Psychology 6.
Metamorphoses of the Subject: Kandinsky Interpreted by Michel Henry and Henri Maldiney.Anna Yampolskaya - 2018 - Avant: Trends in Interdisciplinary Studies 9 (2):157-167.
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