Music and the continuous nature of the mind

Music Perception 31 (4):387–391 (2014)
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Abstract

In this essay, Timothy Justus reviews the book Brain and Music (2012) by Stefan Koelsch, first providing a sketch of the book’s contents, including examples of Koelsch’s empirical work from four core areas (1) musical syntax, (2) musical semantics, (3) music and action, and (4) music and emotion. Justus then proceeds to discuss the continuous nature of cognitive domains and the continuous nature of mental activity.

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Emotion and meaning in music.Leonard B. Meyer - 1956 - [Chicago]: University of Chicago Press.

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