Abstract

In the introduction to his book, African Art, Pierre Meauze refers to carving as a dialogue between man and matter. He does not specify what he means by this statement but if it is his intention to let African sculpture speak for itself he is to be credited for his accomplishment, for the book contains beautiful pictures of some of the most well known pieces of African sculpture. However, as the following inquiry seeks to indicate, it is not possible to fully understand the sense in which carving is a dialogue between man and matter without an initiation into the world of African art. It is therefore the aim of the following inquiry to reveal the sense in which Meauze's statement accurately reflects African sculpture in particular and African art in general. It is necessary, at the outset, to point out that an initiation into the world of African art is not simply an intellectual process. As is the case with other African initiations, it is a process that involves the entire being of man.