Abstract
These are heady times for Theodor W. Adorno, and perhaps the most exciting recent chance to revisit Adorno's often thorny, always trenchant responses to America has been Surhkamp's publication of Current of Music: Elements of a Radio Theory, the fascinating and sprawling result of Adorno's early years in the United States and his collaboration with Paul Lazarsfeld and the Princeton Radio Research Project. The publication of this mammoth work on radio broadcasting—700 pages, the majority of which were written in English—reveals just how intimately familiar Adorno was with network broadcasting practices, advertising, technology, popular music, and—yes—even jazz and should finally…
Keywords No keywords specified (fix it)
Categories (categorize this paper)
DOI 10.3817/1209149030
Options
Edit this record
Mark as duplicate
Export citation
Find it on Scholar
Request removal from index
Revision history

Download options

PhilArchive copy


Upload a copy of this paper     Check publisher's policy     Papers currently archived: 69,089
External links

Setup an account with your affiliations in order to access resources via your University's proxy server
Configure custom proxy (use this if your affiliation does not provide a proxy)
Through your library

References found in this work BETA

No references found.

Add more references

Citations of this work BETA

Add more citations

Similar books and articles

Analytics

Added to PP index
2013-11-03

Total views
14 ( #728,935 of 2,499,016 )

Recent downloads (6 months)
1 ( #419,059 of 2,499,016 )

How can I increase my downloads?

Downloads

My notes