- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
Absolute pitch is not necessary for pitch class-color synesthesia
Consciousness and Cognition 65:169-181 (2018)
Abstract
This article has no associated abstract. (fix it)My notes
Similar books and articles
The nature of the absolute judgment of pitch.C. H. Wedell - 1934 - Journal of Experimental Psychology 17 (4):485.
Online Recognition of Music Is Influenced by Relative and Absolute Pitch Information.Sarah C. Creel & Melanie A. Tumlin - 2012 - Cognitive Science 36 (2):224-260.
The ability to make absolute judgments of pitch.Alice Van Krevelen - 1951 - Journal of Experimental Psychology 42 (3):207.
Color Synesthesia.Berit Brogaard - forthcoming - In Kimberly A. Jameson (ed.), Cognition & Language, Encyclopedia of Color Science and Technology. Springer.
Pitch characteristics of short tones. I. Two kinds of pitch threshold.J. M. Doughty & W. R. Garner - 1947 - Journal of Experimental Psychology 37 (4):351.
Singing Numbers… in Cognitive Space — A Dual‐Task Study of the Link Between Pitch, Space, and Numbers.Martin H. Fischer, Marianna Riello, Bruno L. Giordano & Elena Rusconi - 2013 - Topics in Cognitive Science 5 (2):354-366.
Sensory and verbal coding strategies in subjects with absolute pitch.Jane A. Siegel - 1974 - Journal of Experimental Psychology 103 (1):37.
Anchor effects with biased probability of occurrence in absolute judgment of pitch.Lola L. Cuddy, John Pinn & Egon Simons - 1973 - Journal of Experimental Psychology 100 (1):218.
Perfect Pitch and the Content of Experience.Fiona Macpherson - 1999 - Anthropology and Philosophy 3 (2):89-101.
The experimental development of color-tone synesthesia.T. H. Howells - 1944 - Journal of Experimental Psychology 34 (2):87.
Non-Verbal Paradigm for Assessing Individuals for Absolute Pitch.Henny Kupferstein & Bong J. Walsh - 2016 - World Futures 72 (7):390-405.
Pitch characteristics of short tones. II. Pitch as a function of tonal duration.J. M. Doughty & W. R. Garner - 1948 - Journal of Experimental Psychology 38 (4):478.
Analytics
Added to PP
2018-09-06
Downloads
30 (#517,657)
6 months
8 (#352,434)
2018-09-06
Downloads
30 (#517,657)
6 months
8 (#352,434)
Historical graph of downloads
Citations of this work
Automaticity of pitch class-color synesthesia as revealed by a Stroop-like effect.Kosuke Itoh, Honami Sakata, Hironaka Igarashi & Tsutomu Nakada - 2019 - Consciousness and Cognition 71:86-91.
References found in this work
The Merit of Synesthesia for Consciousness Research.Tessa M. van Leeuwen, Wolf Singer & Danko Nikolić - 2015 - Frontiers in Psychology 6.
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-7c76586df8-5tf24 uwo