Abstract

Minding Shunryu Suzuki's counsel that "In the beginner's mind there are many possibilities, but in the expert's there are few,"1 the modus operandi for this review embraces a beginner's mind in its enthusiastic, open, and non-discriminating attitude. This is all the more advisable on account of the plethora of disciplinary approaches, methodologies, and themes covered. As such, this is how New Essays in Japanese Aesthetics' content will be summarized, commented upon, and evaluated: in light of its capacity to open readers' eyes, expert or novice, to the bountiful aesthetic gifts of the land of the rising sun.In New Essays in Japanese Aesthetics, editor A. Minh Nguyen has gathered a dream team of...