Abstract

In the article Husserl’s view of the infinite around 1890 is analysed. I give a survey of his mathematical background and other important influences (especially Bolzano). The article contains a short exposition on Husserl's distinction between proper and symbolic presentations in the "Philosophie der Arithmetik" and between finite and infinite symbolic collections. Subsequently Husserl’s conception of surrogate presentations in his treatise "Zur Logik der Zeichen (Semiotik)" is discussed. In this text Husserl gives a detailed account of infinity, using surrogate presentations. The conclusion is that with surrogates we can only operate according to blind psychological rules.