Aesthetics, experience, and discrimination

Journal of Aesthetics and Art Criticism 63 (2):119–133 (2005)
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Abstract

Can indistinguishable objects differ aesthetically? Manifestationism answers ‘no’ on the grounds that (i) aesthetically significant features of an object must show up in our experience of it; and (ii) a feature—aesthetic or not—figures in our experience only if we can discriminate its presence. Goodman’s response to Manifestationism has been much discussed, but little understood. I explain and reject it. I then explore an alternative. Doubles can differ aesthetically provided, first, it is possible to experience them differently; and, second, those experiences reflect differences in the objects’ themselves. A range of objections to this position is considered, but all are found wanting.

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Author's Profile

Robert Hopkins
New York University

Citations of this work

Aesthetic Realism and Manifest Properties.Andrea Sauchelli - 2022 - Journal of Aesthetics and Art Criticism 80 (2):201-213.
The Real Challenge to Photography (as Communicative Representational Art).Robert Hopkins - 2015 - Journal of the American Philosophical Association 1 (2):329-348.
Imagining the Past of the Present.Mark Windsor - forthcoming - Philosophical Quarterly.

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References found in this work

Categories of Art.Kendall L. Walton - 1970 - Philosophical Review 79 (3):334-367.
The aesthetic status of forgeries.Mark Sagoff - 1976 - Journal of Aesthetics and Art Criticism 35 (2):169-180.
Art and inauthenticity.W. E. Kennick - 1985 - Journal of Aesthetics and Art Criticism 44 (1):3-12.
Goodman, forgery, and the aesthetic.Luise H. Morton & Thomas R. Foster - 1991 - Journal of Aesthetics and Art Criticism 49 (2):155-159.
Goodman on forgery.Michael Wreen - 1983 - Philosophical Quarterly 33 (133):340-353.

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