Autopoietic Art Systems and Aesthetic Swarms: Notes on Polyphonic Purity and Algorithmic Emergence

Evental Aesthetics 4 (1):42-62 (2015)
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Abstract

FEATURED IN EVENTAL AESTHETICS RETROSPECTIVE 1. LOOKING BACK AT 10 ISSUES OF EVENTAL AESTHETICS. This paper proposes a prolegomenal model for the mechanisms through which new styles and schools of art – Cubism or conceptual art, for example – undergo the catalytic, evental transition from potential to actual. The model proposed herein, of fine art as a complex adaptive system that emerges and grows in a manner analogous to that of certain specific forms of biological organization, is predicated on a shift from the residual traces of Greenbergian disciplinary and mediumistic differentiation – grounded in an analytic autonomy – to modes of interaction and aesthetic signal exchange emergent from an autopoietic autonomy – a systemic process of autocatalysis and transformation similar to the recursively generative feedback relations seen in cell metabolism and in ecosystems. This conceptual recalibration leads to a model of artistic eventalization and change that algorithmically unfolds from the adjacent possible as an emergent phenomenon, analogous to the aggregative and spontaneous, self-organizational swarm behavior seen in the flocking of birds or the schooling of fish, applied here to schools of art.

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