Aesthetics and the Containment of Grief

Journal of Aesthetics and Art Criticism 78 (1):9-20 (2020)
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Abstract

My point of departure is the observation that people ubiquitously turn to aesthetic practices in response to the loss of a loved one. I argue that profound loss catapults the bereaved person into an alternate “world” that differs in marked ways from the world we usually occupy, an alternate world lacking even the basic coherence we need to function. Aesthetic practices facilitate restoration of coherence to our experience, as well as reconnection with the social world and recovery from the breakdown that profound loss involves. While the aesthetic notion of closure is frequently invoked in connection with the needs of the bereaved, I suggest that while containing the emotions experienced in connection with loss is vital if they are to be processed, unrealistic aspirations toward closure can encourage expectations that harm the bereaved. By contrast, I suggest that the aims of aesthetically punctuating experience and communicating through aesthetic gestures are beneficial for helping the bereaved adjust to their new circumstances.

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Citations of this work

Grief, self and narrative.Matthew Ratcliffe & Eleanor A. Byrne - 2022 - Philosophical Explorations 25 (3):319-337.
Horror Films and Grief.Jonny Lee & Becky Millar - 2021 - Emotion Review 13 (3):171-182.
VI—Aesthetic Beautification.Andrew Huddleston - 2022 - Proceedings of the Aristotelian Society 122 (2):119-139.

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References found in this work

Grief and the Poet.C. Wilson - 2013 - British Journal of Aesthetics 53 (1):77-91.
What Is Art for?Ellen Dissanayake - 1989 - Journal of Aesthetics and Art Criticism 47 (4):392-393.

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