Abstract

There are few books in any language which attempt to survey the whole range of Lukács' work. English readers may, therefore, consider themselves fortunate to have available the present volume and, doubly fortunate, to have forthcoming in late 1970 or early 1971 yet another book by one of the present contributors, István Mészáros, titled the Life and Work of Georg Lukács. The work under review is based on a series of lectures in 1968 at the Graduate School of Contemporary European Studies at the University of Reading. The Introduction by Parkinson is largely expository and concentrates on Lukacs' celebrated Geschichte und Klassenbewusstsein. The individual essays which follow are critical examinations of Lukács' views in the fields of philosophy, sociology, and literary criticism. The essays are generally of a high caliber and the differences which the authors express in relation to various aspects of Lukács are themselves testimony to the complexity and depth of his thought. The most comprehensive, and, in many ways, the most interesting approach to Lukács is in the lead-off essay by Mészáros which, in the context of dealing with his concept of the dialectic, seeks to disclose the basic structure of Lukács' thought and to establish its continuity from the young Lukács to the mature Lukács. Mészáros finds from the very beginning not only a revolutionary turn in Lukács' structure of thought, but along with it--or within it--or perhaps even conditioning it--a complex and far-ranging "ought". The "ought-ridden" character of Lukács' thought, Mészáros claims, is both the source of some of his great intellectual achievements and of some of his great failures, particularly when he substitutes ideology and moral postulates for mediated, concrete reality. Those interested in the development of the concept of the dialectic from Hegel to Marx and from Marx to the present will find Mészáros' discussion of Lukács' categories of "totality" and "mediation" informative and thought-provoking. H. A. Hodges examines Lukács' critique of philosophical irrationalism and singles out for special study his comments on the degree to which Dilthey and Mannheim contributed toward this trend. Parkinson, in addition to writing the introduction, has an essay on the nature of Besonderheit, the central category of Lukács' aesthetics. He translates Besonderheit as "speciality" or "the special." Roy Pascal digs into Lukács' concept of totality as developed in the Ästhetik and as applied in his critique of Walter Scott and of Kafka. In addition, there is an essay by David Craig on how, in Lukács' view, history molds literature, and another essay by Stanley Mitchell on Lukács' concept of the "beautiful." All in all, while the book does not represent a definitive or inclusive introduction to the work of Lukács, it does constitute an important landmark in presenting many important dimensions of his thought, as well as some highly critical appraisals of its validity and importance.--H. B.