Abstract

When searching for justification for music education, researchers often make an analytical distinction between ends and means as well as between intrinsic and extrinsic values as related to them. These distinctions are often combined with a view in which ends with stable intrinsic values are seen as above means as extramusical. The article examines how John Dewey’s theory of experience and valuation challenges these distinctions by taking use-value and different aspects of quality in experience as part of the process in which valuation is born. Pedagogical actions of the teacher, social interaction between the students, the questions of how, as well as desires and shared interests become constituting elements of valuation in the means-ends continuum of learning music. The article argues that for justifying its practices, the value of music education ought to be more strongly anchored in the learner’s experience and the question of how educational practices create the attitude for lifelong learning.