When the photography learnt to think new to the film theory

Philosophische Rundschau 56 (2):159 - 172 (2009)
  Copy   BIBTEX

Abstract

This article has no associated abstract. (fix it)

Categories

Keywords

Reprint years

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,349

External links

  • This entry has no external links. Add one.
Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

My notes

Similar books and articles

Photography and Philosophy: Essays on the Pencil of Nature.Scott Walden (ed.) - 2010 - Wiley-Blackwell.
New takes in film-philosophy.Havi Carel & Greg Tuck (eds.) - 2011 - New York: Palgrave-Macmillan.
To Describe a Labyrinth: Dialectics in Jacques Rivette's Film Theory and Film Practice.Douglas Morrey - 2012 - Film-Philosophy 16 (1):30-54.
Critical theory and film: rethinking ideology in cinema.Fabio Vighi - 2012 - New York: Continuum.
Civil Imagination: A Political Ontology of Photography.Ariella Aïsha Azoulay - 2012 - Verso. Edited by Louise Bethlehem.
Shot in the Dark: Notes on Photography, Causality, and Content.Mikael Pettersson - 2012 - Philosophical Quarterly 62 (249):759-776.
Prospects for Film Theory: A Personal Assessment.Noel Carroll - 1996 - In David Bordwell Noel Carroll (ed.), Post-Theory: Reconstructing Film Studies. University of Wisconsin Press.
Film theory and philosophy.Richard Allen & Murray Smith (eds.) - 1997 - New York: Oxford University Press.
Music in narrative film. On motion and stasis : Photography, "moving pictures," music / David Neumeyer, Laura Neumeyer ; the topos of "evil medieval" in american horror film music / James deaville ; la leggenda Del pianista sull'oceano : Narration, music, and cinema / Rosa Stella cassotti ; music in Aki kaurismäki's film the match factory girl / Erkki pekkilä ; it's a little bit funny : Moulin rouge's sparkling postmodern critique.Susan Ingram - 2006 - In Erkki Pekkilä, David Neumeyer & Richard Littlefield (eds.), Music, Meaning and Media. University of Helsinki.
Camera Lucida : reflections on photography.Roland Barthes - 1981 - In Christopher Want (ed.), Philosophers on Art From Kant to the Postmodernists: A Critical Reader. Columbia University Press.
Philosophy of the film: epistemology, ontology, aesthetics.Ian Charles Jarvie - 1987 - New York: Routledge & Kegan Paul.
Dosimetry, personal monitoring film.Tim Stephens & Keith Pantridge - 2011 - Philosophy of Photography 2 (1):153-158.
Image Ethics: The Moral Rights of Subjects in Photographs, Film, and Television.Larry P. Gross, John Stuart Katz & Jay Ruby (eds.) - 1988 - Oup Usa.
Concepts in film theory.Dudley Andrew - 1984 - New York: Oxford University Press.

Analytics

Added to PP
2013-10-27

Downloads
0

6 months
0

Historical graph of downloads

Sorry, there are not enough data points to plot this chart.
How can I increase my downloads?

Author's Profile

Katia Hay
University of Amsterdam

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references