Abstract

Sherburne has the two-fold purpose of framing an aesthetic theory which gains its coherence and clarity by its derivation from a speculative system, and of exploring the adequacy of that system by applying it to one dimension of experience. He begins by developing clearly the categorial notions of Whitehead's mature philosophy and exhibiting them as integral parts of the speculative scheme, and in some cases revising and reformulating them significantly. Using this material, he then frames an aesthetic theory treating such questions as the ontological status of a work of art, aesthetic experience, and artistic creation. A well-written study that illuminates some of the more difficult aspects of Whitehead's thought, and contributes to the discussion of the metaphysical issues of aesthetics.--B. J. H.