Abstract

The wind is the topic of a desirable pathic aesthetics and neophenomenology of air. More specifically, it is a good example of an atmospheric ephemeral quasi-thing, because, as religions have always recognized, it blows where it wishes. It involves us on the affective and felt-bodily level as an atmospheric feeling poured out into pre-dimensional space: that is, as a very concrete experience, significantly both climatic and affective, physical and felt-bodily. Unlike full-fledged things, the wind is not edged, discrete, cohesive, or solid; it does not possess immanent and regular tendencies; it can appear in a partial form, without doing so through fragments and sides; it is (felt as) more immediate and intrusive than things, generating inhibiting or attracting motor suggestions; it dies down with the same inexplicable immediacy with which it rises; it does not have a threefold causality (cause-action-effect) but a twofold one (cause/action-effect). Given these quasi-thingly wind characteristics, the paper sketches a review of the main types of felt-bodily resonance, within a range whose two extremes are narrowness and vastness, triggered by windy atmospheres (for example sudden gust of wind, breeze, shallow wind, stormy wind and calm).