English Studies 6 (99):642-660 (2018)

Dominic Griffiths
University of Witwatersrand
This paper draws together as many as possible of the clues and pieces of the puzzle surrounding T. S. Eliot’s “infamous” literary term “objective correlative”. Many different scholars have claimed many different sources for the term, in Pound, Whitman, Baudelaire, Washington Allston, Santayana, Husserl, Nietzsche, Newman, Walter Pater, Coleridge, Russell, Bradley, Bergson, Bosanquet, Schopenhauer and Arnold. This paper aims to rewrite this list by surveying those individuals who, in different ways, either offer the truest claim to being the source of the term, or contributed the most to Eliot’s development of it: Allston, Husserl, Bradley and Bergson. What the paper will argue is that Eliot’s possible inspiration for the term is more indebted to the idealist tradition, and Bergson’s aesthetic development of it, than to the phenomenology of Husserl.
Keywords T.S. Eliot  Objective correlative  Washington Allston  Edmund Husserl  F.H. Bradley  Henri Bergson
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References found in this work BETA

Meaning and Language.Peter Simons - 1995 - In Barry Smith & David Woodruff Smith (eds.), The Cambridge Companion to Husserl (Cambridge Companions to Philosophy). Cambridge University Press. pp. 106.
A Defence of Phenomenalism in Psychology.F. H. Bradley - 1900 - Philosophical Review 9:344.
Consciousness and its Correlatives: Eliot and Husserl.Jitendra Kumar - 1968 - Philosophy and Phenomenological Research 28 (3):332-352.

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