Aesthetic Rationality

Journal of Philosophy 115 (3):113-140 (2018)
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Abstract

We argue that the aesthetic domain falls inside the scope of rationality, but does so in its own way. Aesthetic judgment is a stance neither on whether a proposition is to be believed nor on whether an action is to be done, but on whether an object is to be appreciated. Aesthetic judgment is simply appreciation. Correlatively, reasons supporting theoretical, practical and aesthetic judgments operate in fundamentally different ways. The irreducibility of the aesthetic domain is due to the fact that aesthetic judgment is a sensory-affective disclosure of, and responsiveness to, merit: it is a feeling that presents an object, and is responsive to it, as worthy of being liked. Aesthetic judgment is thus shown to be, on the hand, first personal and non-transferable; and, on the other hand, a presentation of reality. We thereby capture what is right in both subjectivist and objectivist conceptions of aesthetic judgment.

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Author Profiles

Keren Gorodeisky
Auburn University
Eric Marcus
Auburn University

Citations of this work

Autonomy and Aesthetic Engagement.C. Thi Nguyen - 2019 - Mind 129 (516):1127-1156.
Aesthetic practices and normativity.Robbie Kubala - 2021 - Philosophy and Phenomenological Research 103 (2):408–425.
The authority of pleasure.Keren Gorodeisky - 2021 - Noûs 55 (1):199-220.
On Liking Aesthetic Value.Keren Gorodeisky - 2019 - Philosophy and Phenomenological Research 102 (2):261-280.
Higher-Order Evidence.Daniel Whiting - 2021 - Analysis 80 (4):789-807.

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References found in this work

Sentiment and value.Justin D’Arms & Daniel Jacobson - 2000 - Ethics 110 (4):722-748.
How to Be a Pessimist about Aesthetic Testimony.Robert Hopkins - 2011 - Journal of Philosophy 108 (3):138-157.
The authority of affect.Mark Johnston - 2001 - Philosophy and Phenomenological Research 63 (1):181-214.
Bayesian Expressivism.Seth Yalcin - 2012 - Proceedings of the Aristotelian Society 112 (2pt2):123-160.
The acquaintance principle.Malcolm Budd - 2003 - British Journal of Aesthetics 43 (4):386-392.

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