Abstract

Sediments and Shadows: Identity and Colonialism in the United States Virgin Islands focuses on the effects of colonialism on communication, subjectivity, and representation by revealing the agency of peoples under colonization, showing interaction, and resisting abstractions from the concrete. It explores the existential transformation of St. Croix from a seemingly pre-defined colonized entity into an identity that has demonstrated itself to have been always already fluid and incapable of being easily defined. Focusing on the U.S. Virgin Islands, my homeland, Sediments and Shadows examines the complexity of this identity as one involving sediments of many cultural worlds and shadows beneath a colonial relationship with the United States. In addition to offering a postmodern approach to colonization, my dissertation argues that metaphor, imagery, rhetorical devices and the like cannot be ignored by philosophy, that metaphors do philosophical work. For this reason, the dissertation is, in itself, filled with plays on metaphor. Sediments and Shadows draws on Black existential philosophy, feminist philosophy, aesthetics, Afro-diasporic philosophy, Caribbean studies, and Afro-diasporic history and literature. Finally, the dissertation engages conversations of local Virgin Islanders about what it means to be a Virgin Islander in their still colonial condition