Abstract

This essay discusses the concepts of entropy and negentropy used by Vilém Flusser in his philosophy of photography to delineate connections between science and art. If the act of finding order within chaos has always been a quality specific to human beings, the overwhelming role machines hold in our society casts shadows on human agency. Since the Enlightenment, humankind has carried on a regimentation of nature with the goal of finding a way of theorizing everything within it. In the same way, empirical sciences have studied and portrayed the world of phenomena according to the laws of the moment. Shifting from prejudice to prejudice, however, they have never succeeded in finding an all-inclusive theory. Their way of systematization was adapted to all other areas of life, imposing itself through the norms of capitalism and production, leaving little space for human beings. In this scenario, human beings become puppets or tools. In this context, the arts are called upon to develop viable strategies to counteract the overwhelming power of social and technological control.