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Tres ratones ciegos: Goodman, McLuhan y Adorno sobre el arte de la música y del escuchar en la época de la transmisión global
Enrahonar: Quaderns de Filosofía 49:121-154 (2012)
Abstract
Este ensayo investiga el discurso global a la sombra de la década de 1960. Se basa en los puntos de vista de Nelson Goodman, Marshall McLuhan y Theodor W. Adorno para explorar tres conceptos centrales para la música en la época de la transmisión global: concordancia, corriente y virtualidadAuthor's Profile
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References found in this work
Languages of Art: An Approach to a Theory of Symbols.Nelson Goodman - 1968 - Indianapolis,: Bobbs-Merrill.
One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society.Herbert Marcuse - 2002 - Routledge.
One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society.Herbert Marcuse - 2002 - Routledge.
One-Dimensional Man: Studies in the Ideology of Advanced Industrial Society.Herbert Marcuse - 1964 - Routledge.
Languages of Art: An Approach to a Theory of Symbols.Nelson Goodman - 1971 - British Journal for the Philosophy of Science 22 (2):187-198.
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