The Who and Philosophy

Lexington Books (2016)
  Copy   BIBTEX

Abstract

The Who was one of the most influential of the 1960s British Invasion bands—not just because of their loud and occasionally destructive stage presence—but also because of its smart songs and albums such as “My Generation,” Who’s Next, Tommy, and Quadrophenia, in which they explored themes such as frustration, angst, irony, and a youthful inclination to lash out. This collection explores the remarkable depth and breadth of the Who’s music through a philosophical lens.

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,139

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Similar books and articles

A Companion to W. V. O. Quine.Gilbert Harman & Ernest LePore (eds.) - 2013 - Hoboken, New Jersey: Wiley-Blackwell.
Philosophy and music.Jerrold Levinson - 2009 - Topoi 28 (2):119-123.
Badiou and Philosophy.Sean Bowden & Simon Duffy (eds.) - 2012 - Edinburgh University Press.
J.S. Mill's political thought: a bicentennial reassessment.Nadia Urbinati & Alex Zakaras (eds.) - 2007 - New York: Cambridge University Press.
Sound and symbol.Victor Zuckerkandl - 1956 - [Princeton, N.J.]: Princeton University Press.
The Oxford dictionary of philosophy.Simon Blackburn - 1994 - Oxford ;: Oxford University Press.
Thus Sang The Manic Street Preachers.Leighton Evans - 2010 - Philosophy Now 80:26-27.
Conceptual Systems.Harold I. Brown - 2006 - New York: London.

Analytics

Added to PP
2016-04-04

Downloads
72 (#216,970)

6 months
13 (#147,845)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Rocco J. Gennaro
University of Southern Indiana

Citations of this work

No citations found.

Add more citations

References found in this work

No references found.

Add more references