Journal of Aesthetics and Art Criticism 79 (2):186-199 (2021)
AbstractThe notion of aesthetic ideas is of great importance to Kant's thinking about art. Despite its importance, he says little about it. He characterizes aesthetic ideas as representations of the imagination and says that the gift of artistic genius is the inscrutable capacity to envision them. Furthermore, they are counterparts of rational ideas. Works of art thus sensibly present rational ideas; the pleasure they occasion is a consequence of the enriching process of reflection upon the wealth of content they sensibly present. The purpose of this article is to ask whether all rational ideas have aesthetic ideas as counterparts, and so can be presented in art, or whether only some do and which. The answer should reveal what, for Kant, is the subject-matter of art. I argue that for Kant art is concerned with the range and variety of human freedom as well as with its highest fulfillment in morality.
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References found in this work
Groundwork of the Metaphysics of Morals.Immanuel Kant - 1785 - In Elizabeth Schmidt Radcliffe, Richard McCarty, Fritz Allhoff & Anand Vaidya (eds.), Late Modern Philosophy: Essential Readings with Commentary. Blackwell.
Groundwork of the Metaphysics of Morals.Immanuel Kant - 1996 - In Practical Philosophy. Cambridge University Press. pp. 37-108.
Critique of the Power of Judgment.Hannah Ginsborg, Immanuel Kant, Paul Guyer & Eric Matthews - 2002 - Philosophical Review 111 (3):429.
Citations of this work
What Makes Kant an Aesthetic Cognitivist About Fine Art? A Response to Young.Aviv Reiter - 2021 - Journal of Aesthetics and Art Criticism 79 (1):108-111.
Kant on the Aesthetic Ideas of Beautiful Nature.Aviv Reiter - 2021 - British Journal of Aesthetics 61 (4):403-419.
On Conceptual Revision and Aesthetic Judgement.Sabina Vaccarino Bremner - 2021 - Kantian Review 26 (4):531-547.
Batteux, Kant and Schiller on Fine Art and Moral Education.Aviv Reiter & Ido Geiger - 2021 - Journal of Philosophy of Education 55 (6):1142-1158.
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