Abstract

In reading the Tractatus, one gets the impression that Wittgenstein, having resolved to his satisfaction the problems about language, logic, science, and mathematics, sets these painstakingly articulated findings in a disproportionately skimpy setting. There is a perfunctory ontology at the beginning, which is highly original as well as austere and perplexing; and at the end he hurries even more than usual through ethics, aesthetics and religion—as if the silence was already coming upon him, prematurely. The Notebooks 1914–1916 help a good deal in understanding this skimpy setting. They give little direct indication of the ontological overture, apart from their frequent reiteration that there must be simples of some sort if the sense of expressions is to be determinate, but they give a fuller treatment to the other topics. This is particularly true of the latter half of 1916, when this parcel of topics seems to have become uppermost in Wittgenstein’s mind. Though it is exceedingly difficult to know what to make of what are in effect discarded notes, some of the entries are just too interesting to ignore. I wish to consider what light they throw on his thought at roughly the Tractatus period, and in particular on the ontology that apparently springs up full grown at the beginning of the Tractatus.