- New
-
Topics
- All Categories
- Metaphysics and Epistemology
- Value Theory
- Science, Logic, and Mathematics
- Science, Logic, and Mathematics
- Logic and Philosophy of Logic
- Philosophy of Biology
- Philosophy of Cognitive Science
- Philosophy of Computing and Information
- Philosophy of Mathematics
- Philosophy of Physical Science
- Philosophy of Social Science
- Philosophy of Probability
- General Philosophy of Science
- Philosophy of Science, Misc
- History of Western Philosophy
- Philosophical Traditions
- Philosophy, Misc
- Other Academic Areas
- Journals
- Submit material
- More
Emotional participation in musical and non-musical behaviors
Behavioral and Brain Sciences 35 (3):149-150 (2012)
Abstract
Existence of similarities of overall brain activation, specifically during emotional and other common psychological operations (discussed by Lindquist et al.), supports a proposal that emotion participates continuously in dynamic adjustment of behavior. The proposed participation can clarify the relationship of emotion to musical experience. Music, in turn, can help explore such participationAuthor's Profile
My notes
Similar books and articles
Musical understanding, musical works, and emotional expression: Implications for education.David J. Elliott - 2005 - Educational Philosophy and Theory 37 (1):93–103.
Musical expectancy: The influence of musical structure on emotional response.Carol L. Krumhansl & Kat R. Agres - 2008 - Behavioral and Brain Sciences 31 (5):584-585.
Piece for the end of time: In defence of musical ontology.Andrew Kania - 2008 - British Journal of Aesthetics 48 (1):65-79.
Transfiguring the Emotions in Music.Donald Callen - 1983 - Grazer Philosophische Studien 19 (1):69-91.
Defending musical perdurantism.Ben Caplan & Carl Matheson - 2006 - British Journal of Aesthetics 46 (1):59-69.
On music perception and cognition: Modularity, structure, and processing. [REVIEW]Lelio Camilleri - 1992 - Minds and Machines 2 (4):365-377.
Musical Thought in the Zhuangzi: A Criticism of the Confucian Discourse on Ritual and Music. [REVIEW]So Jeong Park - 2013 - Dao: A Journal of Comparative Philosophy 12 (3):331-350.
Empathy, enaction, and shared musical experience.Joel Krueger - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus Scherer (eds.), The Emotional Power of Music: Multidisciplinary Perspectives on Musical Expression, Arousal and Social Control. Oxford University Press. pp. 177-196.
The methodology of musical ontology: Descriptivism and its implications.Andrew Kania - 2008 - British Journal of Aesthetics 48 (4):426-444.
Performance interpretations of musical works.Stephen Davies - 2006 - Nordic Journal of Aesthetics 18 (33-34).
Analytics
Added to PP
2013-10-27
Downloads
55 (#278,841)
6 months
3 (#902,269)
2013-10-27
Downloads
55 (#278,841)
6 months
3 (#902,269)
Historical graph of downloads
Author's Profile
Citations of this work
Integration of cognition and emotion in physical and mental actions in musical and other behaviors.Martin Frederick Gardiner - 2015 - Behavioral and Brain Sciences 38.
Human evolution of gestural messaging and its critical role in the human development of music.Martin F. Gardiner - 2021 - Behavioral and Brain Sciences 44.
References found in this work
The Feeling of What Happens: Body and Emotion in the Making of Consciousness.Mark Johnson - 2001 - Journal of Speculative Philosophy 15 (4):323-326.
Emotional responses to music: The need to consider underlying mechanisms.Patrik N. Juslin & Daniel Västfjäll - 2008 - Behavioral and Brain Sciences 31 (5):559-575.
Bodily Changes in Pain, Hunger, Fear, and Rage.Walter B. Cannon - 1917 - Journal of Philosophy, Psychology and Scientific Methods 14 (3):79-80.
PhilPapers logo by Andrea Andrews and Meghan Driscoll.
This site uses cookies and Google Analytics (see our terms & conditions for details regarding the privacy implications). Use of this site is subject to terms & conditions.
All rights reserved by The PhilPapers Foundation
Server: philpapers-web-6d9b7f7c4c-v4fj8 uwo