Abstract

I present and develop a novel account of the schematism by reading it through the distinction between constitution and regulation. I thus show that Kant’s stipulation of only eight schemata for the twelve pure concepts of the understanding is not haphazard but answers, instead, to two distinct processes of synthesis, mathematical and dynamical, that either constitute objects in intuition or regulate objects of experience. Based on this, I offer a detailed reconstruction of each of the schemata specified by Kant, and I provide an explanation of the systematic role each plays in the Analytic.