On the Critical Theory of the World-Picture Logic1

Contemporary Chinese Thought 51 (1):45-56 (2020)
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Abstract

The present article argues that Zha Changping’s History of Ideas in Pioneering Contemporary Chinese Art fills an important gap in humanities-oriented studies on contemporary Chinese art, contributing the innovative theories of “world relational aesthetics” and “world-picture logic,” which allow for unique insights into contemporary pioneering Chinese artworks.

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10.1080/10971467.2020.1768754

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