Film Theory and Philosophy [Book Review]
Philosophical Review 109 (1):144-7 (2000)
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| Abstract |
This substantial book presents essays by nineteen authors exploring intersections between film theory and philosophy on topics of representation, authorship, ideology, aesthetics, and emotion. The editors explain that film studies has reached a crisis of method after a growth period founded on structural linguistics, psychoanalysis, and Continental philosophy. They wish to alter this foundation and “give momentum to work in an analytic vein”, which requires them to correct the misconception of analytic philosophy in film studies as narrow and conservative, a “toxic waste dump.”
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| Keywords | Analytic Philosophy Contemporary Philosophy General Interest |
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| Reprint years | 2000 |
| ISBN(s) | 0031-8108 |
| DOI | 10.2307/2693575 |
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Citations of this work BETA
The Future of Art Criticism: Objectivism Goes to the Movies.Kyle Barrowman - 2018 - Journal of Ayn Rand Studies 18 (2):165-228.
Noël Carroll.Maisie Knew - 2008 - In Paisley Livingston & Carl R. Plantinga (eds.), The Routledge Companion to Philosophy and Film. Routledge. pp. 196.
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