There's No Place Like Home / L'1% C'est Moi

Continent 2 (3):186-201 (2012)
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Abstract

First published by Texte zur Kunst and as part of the Whitney Biennial, we present Fraser's essays together express a something like claustrophobia. As the artworldmarket has become dominated by the speculative economic activities that fueled the current extreme income distribution inequalities globally, can a critique exist that is not already paying into these exploitative practices?

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