Theatrical and Cinematic Temporalities: Stage Space and Time-Image in India Song

Abstract

This paper explores the interaction between writing, theatrical performance and filmmaking practice in Marguerite Duras's 'text-play-film', India Song, with reference to the role of sound-image asynchrony in the emergence of a 'time-image' and its related intermedial effects from the intended theatrical mise-en-scene to the radio broadcast and the screen adaptation.

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Ramona Fotiade
University of Glasgow

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