Abstract

The paper invites a rethink of the political conception of Jacques Rancière, a philosopher who devoted considerable reflexion to the problem of the sharing of the sensible. Rancière proposes considering the aesthetic regime without the concept of representation. According to the author, this leads him to a paradox: on the one hand, he states that the aesthetic regime takes images for art; on the other hand, he doesn’t pay attention to the fact that it shouldn’t be possible to conceive of any regime of sharing without the concept of representation. Therefore, the author proposes a deconstructive reading of Rancière’s critique of representation, demonstrating that if the contemporary image is conceived and produced in order to be shared, it can’t be freed from representation. Finally, the author puts forth the notion of meta-representation as a solution avoiding Rancière’s antinomies.