Of art and blasphemy

Ethical Theory and Moral Practice 3 (2):137-167 (2000)
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Abstract

What does philosophy have to say about the argument that blasphemous art ought not to be publicly displayed? We examine four concepts of blasphemy: blasphemy as offence, attack on religion, attack on the sacred, attack on the blasphemer himself. We argue all four are needed to grasp this complex concept. We also argue for blasphemy as primarily a moral, not a religious concept. We then criticise four arguments for the public display of blasphemous art: it may be beautiful, provocative, devoutly intended, and is autonomous of religious concerns. Finally, we discuss the notions of blasphemy and blasphemous art as public offences. We conclude that the display of blasphemous art is a public, and not merely a private moral offence, and that there are respectable philosophical arguments for this conclusion.

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Citations of this work

Haidt et al.’s Case for Moral Pluralism Revisited.Tanya De Villiers-Botha - 2020 - Philosophical Psychology 33 (2):244-261.
The Misadventures of Enrique Chagoya: Aesthetic Marginalization in Interpretations of Jesus Christ.Clint Jones - 2013 - Journal for the Study of Religions and Ideologies 12 (35):63-85.
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References found in this work

The moral problem.Michael Smith - 1994 - Cambridge, Mass., USA: Blackwell.
Political Liberalism.J. Rawls - 1995 - Tijdschrift Voor Filosofie 57 (3):596-598.
Natural law and natural rights.John Finnis - 1979 - New York: Oxford University Press.
Morality as a system of hypothetical imperatives.Philippa Foot - 1972 - Philosophical Review 81 (3):305-316.

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