Luce Irigaray, To Paint the Invisible, translation and interview

Continental Philosophy Review 37 (4):389-405 (2004)
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Abstract

In this essay, which is preceded by an interview with the translator, Luce Irigaray revisits her earlier critique of Maurice Merleau-Ponty’s privileging of the visible, but also takes further her own thinking by drawing specifically on the issues raised within the context of painting and the creation of artworks. The focal point of her discussion is Merleau-Ponty’s essay on art, “Eye and Mind.”

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To paint the invisible.Luce Irigaray - 2004 - Continental Philosophy Review 37 (4):389-405.
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Helen A. Fielding
University of Western Ontario

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