Abstract

This essay analyses Hegel’s use of the metaphor of «the cross and the rose», not only in the Preface to the Grundlinien der Philosophie des Rechts, which all major interpretations refer to, but also in two other texts: Wer denkt abstrakt? of 1807 and the 1829 review of Schubart's and Garganico’s Über Philosophie überhaupt... In Wer denkt abstrakt? Hegel criticizes a sentimental, as equivalent to a «non concrete», interpretation of the figure; in the Preface he claims that «reason is the rose in the cross of the present», assimilating the image to a platonic idea of State; in the review of 1829 he criticizes a naïve interpretation of the figure. In the light of these observations, it is possible to conclude that Hegel sees the figure as the specific image of the relation of the platonic and the critical element, typical of dialectical rationality. The Hegelian use of the figure thus results, in this perspective, by far more subtle than the one envisaged by its “political” interpretations.