Abstract
In aesthetics and in philosophy generally, Dewey and Heidegger have many surprising convergences. Both find the contemporary world unsuitable for full human flourishing: Dewey because of the separation of art and religion from everyday life; Heidegger because of the disappearance of the sense of Mystery. Both go back to a time before the problems emerged. Both hold for the intentionality of consciousness, the bodily inhabitance of a common world having priority over a sovereign consciousness, the founding role of language in the life-world, the distinction between the art-product and the working of art upon its audience, the founding role of poetry, and the way a sense of the Whole can open up in the working of art. But Dewey, centering upon the aesthetic as integral experience, underscored its linkage with the rhythmic character of the body interacting with the environment, while Heidegger focused upon the sense of the surrounding Mystery.