Abstract

Welsh rock band the Manic Street Preachers have travelled a great distance in the years since the release of their first album Generation Terrorists in 1991. They’ve had a myriad of musical styles, huge mid-to-late-90s popularity, the still-unsolved disappearance of songwriter Richey Edwards, acclaim, and some derision, along the way. A band committed to their vision, the Manics’ work has always had an overt political and philosophical focus which has set them apart from contemporaries both in Welsh music and the wider British popular scene. The band’s third album, The Holy Bible, now widely regarded as one of the best British albums of the 1990s, is an education in nihilism and alienation