Abstract

Horace addresses Torquatus again in Carm. 4.7. There the poet distinguishes three cardinal qualities: Torquatus's genus, his facundia, and hispietas. Since Horace distinguishes them they were no doubt qualities on which Torquatus prided himself, but they are, in any case, the key by which Torquatus slips into Horace's lyric. I suggest that we can use the same key to open up the Epistle, and that by taking up these qualities we have ready access to the wit of the poem, carefully predicated upon its addressee